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- #Blues album ds 2434 genre generator#
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While it is a fully capable oscillator it works best as a modulation oscillator in the COCO system. But you can use either oscillator in any position in the overall system.īrooks - Brooks is a smaller thru-zero 4hp basic VCO that has all the basic waveforms, FM control, sync, and Time Reverse which simply reverses the wave. The idea being that Cascades works best as a main oscillator. A notable oddity is the inclusion of the COS output, which is great for some stereo effect. This is because the stepped voltage patterns that come from Canyon can be quite fun to use on an oscillator!Ĭascades - Cascades is the fully featured thru-zero oscillator with an octave switch, voltage-controlled wave shaping (via Morph), amplitude modulation, along with a large variety of waveform ouptuts.
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One twist on this is that Canyon can also be configured to send it's mix output as the MOD wave to OSC1, instead of receiving from OSC2. Each oscillator then has an arrow next to each jack that receives a MOD wave signal. Cascades has a jumper on the back to change between SIN and MOR outputs, while Brooks will always send SIN. MOD wave - Each oscillator controls what it sends as a modulation wave. Everything is internally routed with high precision op amps. The exp FM routing is handy for doing chords without having to worry about copying precision voltages. The typical configuration would be having one Cascades and two Brooks.Įach oscillator in the COCO series can send and receive Exp FM, sync, and a MOD bus.įor Exp FM (v/oct) and sync, the routing is controlled by the control module via the Track and Sync switches. It is recommended to have at least two or it will not be much fun as a system. You can connect up to a total of three oscillators in a complete COCO system. So when you need that extra oscillator for your performance case, you can break the system down and use it accordingly. You can then break them down and each module also works as a standalone module as well. The COCO system allows you to choose your oscillator features and choose your control module and connect them all together into a complex oscillator. On the downside, complex oscillators are big and have a fixed set of capabilities.
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By default, you can get some very deep sounds that go far beyond the standard bleep and bloop.
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The main thing that I appreciate about them is that you can have a lot of fun without having to patch too much. With COCO system the aim is to bring all the goodness of a complex oscillator while aiming to minimize some of the downsides. Note - The tracking switch is labelled backwards on Canyon so it tracks OSC2 and OSC3 in the up position.ĬOCO - Create your Own Complex Oscillator Each side of Canyon can also be clocked independently, which can lead to some rich tones. The outputs can either be used in the audio range to create rich sounds or used at slower rates as CV sources, even patched back into one of the oscillators. These two section outputs are then mixed together via a voltage controlled crossfader. The second section offers even sub harmonics, dividing the clocks by 2, 4, 6, and 8. The first section offers odd sub harmonics, dividing the clocks by 1, 3, 5, and 7.
#Blues album ds 2434 genre generator#
Bell is an intermittently effective vocalist but his harmonica playing lacks adventure and inspiration".Notes: Canyon is a sub-harmonics generator with two sections fed by two different clock sources. The Penguin Guide to Blues Recordings said "Neither band does more than run through the changes with indifferent precision. No less than four Little Walter covers and two more from Muddy Waters' songbook dot the set, but many of the best moments occur on the original numbers".
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Reception Professional ratings Review scoresĪllmusic reviewer Bill Dahl stated "It's a mite ragged around the edges, but Bell's 1969 debut session certainly sports the proper ambience - and no wonder, with guitarists Eddie Taylor and Jimmy Dawkins and pianist Pinetop Perkins on hand to help out.